Battle Bards – Episode #7: City Themes

swtownIn this lucky seventh episode of Battle Bards, Syff, Step and myself are rambling about all things MMO city/town music and why we all hate the Stormwind theme! We also find out that Steff actually says “SWOH-TOHR” for SWTOR (I know, silly right?) and that I am apparently incapable of pronouncing Lineage correctly…I did give it my best shot towards the end of the show though!

Episode picks:

  • “Coruscant” from Star Wars: The Old Republic (comp. Lennie Moore)
  • “Stormwind” from World of Warcraft (comp. Jason Hayes)
  • “Imperial Square” from Allods Online (comp. Vladislav Isaev, Mark Morgan)
  • “Meridian” from RIFT (comp. Inon Zur)
  • “Seville” from Uncharted Waters Online (comp. Kazunori Miyake)
  • “Crossroad at Dawn” from Lineage II (comp. Bill Brown, Inon Zur)
  • “Kingdom of Light” from Aion (comp. Yang Bang-Ean)

 
There are cookies hidden in this episode! Also, we apologize for the overall sound quality this time around; Syp lives in a country where they’ve only just discovered electricity. As always, thanks for leaving us your feedback and don’t be shy on rating the show sometime!

Badass is the new Sexy! That Female Armor Blargh

In context of the dinosaur-debate that is female armor and character representation in videogames, there have been several tumblrs I’ve been wanting to share with you for a while now. However, as these things go, something always came up and so I didn’t – so in case all these links are old news to you, I apologize. They’re really good though!

It’s no secret that I enjoy armor in MMOs and playing around with cosmetics. I’m a sucker for immersion in games and when it comes to my avatars, I treat them as virtual representations of myself. I also have a very clear idea of what’s proper armor in combat-centric games and MMOs are that. I’m happy to suspend disbelief where dragons and fireballs are concerned, but if you were to try convince me that my female fighter is fine with bare stomach and thighs (while her male counterparts are not), you’re going to have a very hard time.

Alas, that is my personal view. I realize that some people (women included) are quite happy with the way things are and never mind the boob and ass flaunting that is often part of the ‘female aesthetic’ in videogames. That’s good for you. Me, I like some serious armor on my chars that serves my personal escapism and power fantasies (as it usually does for male characters) rather than to delight others, usually male gamers. All I ask for is variety, especially in genres with customization sliders. That said, I draw a big line between what’s attractive and what is blunt objectification/sexualization of female characters. I too, like my characters to look good. I just don’t like them to be all about their nekidness and sexual availability – that perpetual stereotype.

“Badass is the new sexy” – Three links that make it visual so you can’t claim otherwise

 1) The Hawkeye Initiative
Quite often when you try to make the point about how female and male character representation in video games differ, you’ll face issues explaining the concept of skewed gender equivalence or “why male body proportions and gear serve power fantasies and female ones do not” – not seldomly when talking to men uneducated on the subject. This is also popularly known as the “…but what about the menz??”- debate. Lucky for us, The Hawkeye Initiative has taken this exact subject to heart not too long ago, showing audiences just how exactly male characters in game and comic culture would have to look and be presented like (body language, oh my) in order to create “sexy equilibrium” between genders. I know a fair amount of men gamers; I can say for certain none of them would be thrilled if all their male character choices in games looked like a doe-eyed batman in transparent thighs. Do I need say more?

2) Repair her Armor
I would very much like to believe that if you were to browse all the amazing female armor over at Repair her Armor, such as illustrated on this Guild Wars 2 concept art sheet, you would nod in agreement that this is some good-looking and adequate gear you’d have your female toons wear in a heartbeat. Page after page does this newly started project illustrate just how easily and effectively female armor could be adjusted and brought on par with male models, while looking every inch as shiny and aesthetically pleasing as before.

Of course, none of the “amended” armor on this website is the real one – just like that concept art sheet wasn’t. So, here I raise my question: who does truly think the fixed armor versions are worse / less attractive than their originals while being a lot less skimpy? Who indeed?

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3) Badass Lady Armor
The Badass Lady Armor gallery is a project I started myself and that simply collects various game-related (mostly MMOs with some fantasy card- and boardgames in the mix) female armor I think looks fabulous. Criteria to be met are similar to the well-known Women Fighters in Reasonable Armor tumblr, although that one serves much wider a focus and also includes real life shots. I’ve always had an extensive videogame concept and fan art database on my personal PC, so this is an attempt at bringing together women’s armor I’d love to wear in MMOs.

And yes, boob plate is still represented in an overwhelming majority of all these pictures (as opposed to this); but I’d say this is a pretty stellar array of high quality images that was quite a journey to collect. Believe me when I say these picks are a stark minority among all MMO fan and concept art out there. However, I was still able to beat my goal of getting a 100 pictures to pass the test (also in terms of body language which spoils at least two thirds of all otherwise passable images), so yay for more badass armor in videogames! Let nobody claim more realistic female armor can’t also be good-looking or similar nonsense. Now if only developers / designers caught up with this soon!

[GW2] Just can’t get their throat stuffed

Back from summer break, which I spent castle hunting and aching from bike tours, I was reluctantly excited for the Bazaar of the Four Winds update in GW2 which follows ANet’s recent announcement of aiming for bi-weekly content patches in the future. Yep, that sounds wild – and you’ve heard it here first! Really, it’s a rare thing when a MMO developer goes and fulfills what you’ve wished for specifically on your blog in the past. That has me convinced I need to continue my wishlist category!

In the end however it’s not just the frequency of new content that matters. Is it content? – Or is it rather that someone at ANet just can’t seem to get their throat stuffed on back items?

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Ye shiny graphics, they don’t fool me.

GW2: The Magic Formula

As you arch an eyebrow at above expression, let me elaborate: it’s a liberty I am taking on this here blog from time to time that I literally translate sayings and idioms over from my native tongue. Every now and then there’s an expression just too perfect and impossible to translate adequately – and in this case it’s GW2 (and other MMOs for that matter) just not getting enough already of the same item-grinds and achievements. Are we there yet? Do we have enough yet?

Seems not. They can’t get their throat stuffed (or full) of the same old or maybe it’s really what the player base wants. I don’t know – it’s not like anyone is allowed to complain much about an essentially free-to-play MMO but then, I’ll keep doing it. Personally, I find it highly insulting that we aren’t only grinding items and achievements with every new “content patch” but the same items! Welcome to GW2’s magic event formula: new weapon and armor skins, new back items, mini-games and jumping puzzles! Oh and that last one is all around you this time because the friggin’ bazaar is sky-borne! I have been to one of the world’s biggest, most famed and wondrous bazaars: it was dark, cramped and stuffy, like a city’s underbelly maze. I would’ve preferred this a hundred times over to the lofty acrobatics required to get to the Bazaar of the Four Winds – but nomen est omen so doh @self!

Magic formula ranting aside, I am still looking for the actual content here. My first impressions are bitter and sarcastic (I’m sure you needed this update) but Syp is having fun and so I shall give this investigation some more time. I understand that several achis are linked to an event further down the line, so maybe I can bring myself to care about that. That said, I am starting to take grim pride in the pitiful amount of achievement points I’ve accumulated on my character so far (which apparently is going to disadvantage me now too); it’s one of the more bizarre side-effects this current generation of MMOs has had on me that I am developing inverted snobbery where things like gear or achievements are concerned. Achieving nothing is the new purple!

Anyway, there’s apparently a “best dive” achievement for this event that sounds right up my alley. Nothing feels more adequate than throwing yourself off a high cliff in desperation after facing even more back items and jumping puzzles! Fingers crossed my PC won’t crash again as my character swan-dives from 10’000 feet altitude. Geronimooo!

Battle Bards – Episodes #5 & #6: Guild Wars 2 and Wildstar

For those who have noticed MMO Gypsy looking slightly different over the past few days, the blog was undergoing some scrutiny by the hoster due to recent commenting issues (readers reporting that comments were lost to 404 errors). The good news: this issue appears to be fixed now! Hooray!

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Since my last musical reporting, the Battle Bards have ventured forth once more – nay in fact twice more – waxing lyrical on the beautiful soundtrack of Guild Wars 2 and more recently on the exciting genre fusion that makes the music in upcoming AAA-MMORPG Wildstar. It is a particularly interesting challenge to talk about tracks before a game has even released, being unable to place them inside the game. Do we even dare to assess a soundtrack without first-hand knowledge of the complete opus?

Well, we sure did and being offered the great opportunity to have composer Jeff Kurtenacker on the podcast, we made sure to get as much info on the creative process of scoring for Wildstar as possible! Not just that, Jeff introduced two to-that-date unreleased tracks on the show which proved to be my personal favorites – so make sure to check out Episode #6 for some exclusive Wildstar teasin’!

Free-to-Play vs. Gambling

The Kleps kicked the never quite dead F2p-debate back to life this last Monday, and another interesting series of posts (Rohan, Tobold, Rowan, Telwyn) emerged as a result. With Rift now also F2P and upcoming titles like Wildstar or TESO having not yet disclosed payment options, many gamers are wondering who will ever be bold enough again to dare the subscription. Personally, I seem to care more for debating principles than the answers to these questions. If Zenimax Online want me to pay a sub for TESO, I will. If not – well, either way I’ll raid the shop.

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Blogging buddy Liore and I go way back when it comes to discussing F2P back and forth on our blogs, so it was only a matter of time until we’d put on our boxing gloves and get into the ring together. No really, it was my great pleasure to finally have a personal chat this past week as guest on the delightful Cat Context Podcast (our exchange starting around 31 mins), with both Liore and co-host Ellyndrial speaking for the F2P skeptics. We tackled many of the core issues and realized that we disagree mostly on details rather than what matters most to us in MMOs. No surprises there.

That’s not where the discussion ended though – no, this is a persistent one. Belghast went forth and shared this interesting follow-up on his F2P “conversion”, sharing his past experiences with EQ2 going free to play (which then also spawned another reply from Liore here). I am always looking for personal recaps like this; what’s changing for you when an MMO switches to F2P? What tangible consequences does it have that possibly impact on you negatively?

Random drops vs. gambling

In an exchange with Ellyndrial on the podcast, I mentioned that I do not believe random lockboxes (for which keys can be bought via ingame shops like in GW2) or lottery tickets can be compared to real world gambling, the way it happens in casinos for example. The basic assumption being that cash shops may cause players to lose control of their spending, getting addicted to a luck-based system looking to relieve them of their money. To be clear, I absolutely feel casino gambling needs to be regulated – I do however not believe that lockboxes dropping in MMOs follow the same psychological pattern or harbor the same potential for addiction. Not claiming professional expertise on the subject (and those who do may come forth please), I see some distinct differences between the two activities.

Interestingly enough I happened to watch a documentary recently on David Choe, graffiti artist and facebook millionaire, also pathological gambler, which added to my inner monologue. Choe made his first million gambling in Las Vegas before turning 30 years old. That first milestone was preceded by years of a vagabond lifestyle, being notoriously broke and loosing vast amounts of money at the gambling table. Self-proclaimed gambling addict, Choe had this to say about his “fever” (paraphrased): I always felt I was winning, even when I lost everything. I won most of my games, only to go and lose everything on the last one.

There’s a devious quality to gambling in the sense that it continuously conveys feelings of both success and control to its victims. Gambling is a game of many stages, there is a progression to the gambler’s journey in which he feels that he is learning, improving and even winning. Winning is a big part in that quest for more, raising the stakes and then “gambling it all away” in one fatal loss (endorphins and adrenaline = powerful drugs). All of these elements are essential to developing addiction (biological dispositions aside) – the sense of control/strategizing (poker pros will tell you that the game is 90% nerves), reassuring mini-successes, progression of risk and potential winnings.

Virtual lockboxes do not share any of these psychological hooks. They’re completely random, there is usually no influencing outcome, improving one’s own performance or “getting closer” involved. It is therefore not nearly as motivating to spend endless cash on keys because there is no “game” aspect. Which doesn’t mean somebody might not spend ludicrous amounts of cash on the off chance of epic pixel – but to speak of addiction or danger to a wider audience feels off in this scenario. That person is likely after a very specific drop and generally there’s nothing wrong with spending money (or time) on something luck-based in games. We do this all the time?

There’s more to this though, even if we assumed a way simpler analogy such as a slot machine with very random outcome (I do not know how many people get ruined by this rather than card games). A big difference between gambling and pixel-hunting is that gambler’s play for money. The Faculty of Economics at the University of Zurich, Switzerland (ya, I live here so that’s my resource), recently revealed intriguing study results on the development of “altruism” in children. Test results were based on children’s social sharing behavior between ages 3-6. The perplexing part: while children, especially older ones and therefore already more socialized, were happy to share candy equally with peers, results changed dramatically once money was substituted. Children would either change the ratio in which money was shared or share none of it. This lead the leading researcher to assume that children learn the social and economical significance of money early on. He then elaborated on why humans react differently to money than to any other type of resource: money is a tricky currency because money is abstract. Money isn’t so much goods as it is potential; to give money away is to give away opportunities and power that we cannot control or estimate. We can imagine few things anyone could do with candy – but money, money holds as many plans as there are people.

Gamblers gamble for money and when they gamble for money, they gamble for plans and dreams. For one person it might just be a dream of winning or wealth, for another the resolution to very imminent and dire life circumstances. Not only that – gamblers gamble with money for money. When I spend coin on the slot machine, there’s a very clear, calculated ratio/equation between input and output. I’ll make a mental note à la “if I put in 10$ and win 100$, that is ten times more” or “if I lose, that’s still only 10% of my potential winnings”. That makes it seem alright and in some cases probably adds fuel to a perilous journey.

gw2shop

Again, lock boxes / lottery tickets hold neither abstract appeal nor absolute value in MMOs. Usually players hope to get a very specific drop, most likely an epic item or rare pet or similar. How much that reward is truly “worth” is impossible to measure (unless sellable – but this is not the chosen avenue of gold farmers) and therefore also cannot be equated to how much money was spent in order to get it. Sparkle ponies may be worth 10 keys to one player and 50 to another. Add to this considerations of “what other mounts are there in the game I could go for instead?” and meta-currency systems that also allow ingame currency to be converted in some cases, and you’ll see how much that differs from casino gambling or even real life lottery.

Wrapping up

To return to the topic of F2P, I believe it is very important to continuously question and observe the practices developers and publishers engage in to make systems more profitable. I’m very critical of pay-to-win in MMOs and shy away from games mentioning their cash shop at every occasion. I also agree with Liore that F2P only works because of micro-transactions and therefore needs to try draw players in. To me, that is a legitimate cause – without anyone spending money in a F2P game, there is no game. I have faith in players managing their own money and knowing what they want though. What matters to me is how cash shops are implemented, what kind of wares they offer and how their presence impacts on gameplay and overall immersion. We’ve recently experienced just how much of a difference the audience can make in this business and it remains our job to keep both an open mind but also open eyes to changes in this industry and how they may affect us.

At the present stage where F2P is still being adopted and shaped into a better model for western MMOs, I’m personally not seeing signs of a pay-to-win culture developing the way we know it from East-Asia (Gamasutra has an interesting clarification on this, check it out!), nor do I find items for sale that would significantly impact on player economy or endgame (just to name two examples of what’s popularly deemed unacceptable) in the F2Ps I am personally playing. Cash shop items remain optional and practices transparent – if not without inherent advantages, triggers and temptation, especially where cosmetics are concerned. If that’s where we’ll stay with upcoming MMO titles, hopefully offering more hybrid models à la LOTRO, I am completely okay with F2P.

Happy weekend everybody, with or without virtual shinies.

What can the MMO “console trend” do for us PC players?

So I ranted briefly in my last post on how The Elder Scrolls Online was pushed back to 2014 because of next-gen console availability. From a PC gamers point of view – and that’s where I am going to play my MMOs in the foreseeable future – that’s not the worst however that may come from the popular marriage between different systems in our favorite genre. The fact that consoles are becoming more and more like PCs doesn’t really change that.

gameonIn their most recent podcast episode, Chris from Game by Night / MMORPG.com and Ferrel from Epic Slant Press discuss the impact of the “console MMO future” and they were so kind to invite me to have a chat about what we heard at E3 and also GW2’s event culture and overall status quo. On the topic of console MMOs, I mentioned on the podcast that I feel like PC gamers especially are going to get the shorter end of the stick. Before getting into that further, I’m posing the overall question of whether people really want to play MMOs on a console? Do they?

I can only speak for myself here, having grown up with home console systems; when I play MMOs, I rely on a lot more than just a keyboard (I don’t think the control aspect on consoles is as bad anymore as it used to be). There’s teamspeak, skype and raidcall running in my background. I have a second screen I can use to check quests or items while playing if need be. Functionality and access to networks like this are inseparable from MMO gameplay for me.

Then there are other potentially negative aspects, launch delays aside. To quote just a few of the more popular concerns currently discussed on TESO fan forums:

I’ve already stated several times my apprehension with this.
1. community split instead of forcing new MMO players to play on a PC and growing their market share.
2. Patches and content designed around the lowest common denominator. There are things that can’t be done on a console as they are on a PC so in essence each new system implemented in the game will have to work across all platforms. Meaning things will be dumbed down.[18#]

[…]but to segment the community and enable cross platform support will kill this game I’m afraid. One or all 3 platforms will suffer due to triple time required to design, Q&A, push, test and publish.[#10]

The implementation of a MMORPG on consoles means one of two things: unprecedented user interface innovation to retain game depth on a controller (unlikely), or simplifying the game.(#7)

[…]they’ll have to make every mechanic work in all environments, and remove/change the features that cannot be adapted. The risk of failure is certainly there. (#3)

Is this the future that we ‘re looking at for cross-platform MMOs: games designed around the lowest common denominator, split communities and sloppy ports and delays? It all sounds very gloomy and MMO players are certainly known for their pessimism. Still, given what complex undertakings MMOs are and the time that’s required to deliver a polished product on a hopefully successful launch, is there any benefit whatsoever to the PC gamer? I can only think of one: More people paying for MMOs means more money going back into the genre (which hopefully benefits all audiences equally).

There’s also the question of how much sense it makes to launch both PC and console versions simultaneously, as elaborated on by another forum user:

Development wise, if they really want to win all those console kiddies, it was way better to release a PC/Mac version of the game, improve it over several patch (it happens anyway), then release a more polished product to the console freaks. My reasoning is simple, PC gamers have a broader gaming experience while the console only players tend to buy and toss it in the drawer if the game doesn’t deliver from the start….console players just don’t have the patience to wait for patch after patch after patch.[#2]

ps2padOne of the big differences between console and PC audiences has always been the technical aspect: the willingness to put up with installs, patches and overall bugs and downtimes caused by individual Windows settings and different hardware. Console popularity stems from the “plug&play” model and this demography is happy to do without extra options and customizability, as long as crashing on the sofa and successfully logging in within the minute is a given. So can this future marriage between not only different platforms but target audiences end in anything but tears? I guess we will see.

Wildstar and why I don’t like the Explorer path

Just when I thought I was pretty much not going to play Wildstar this year, Zenimax Online dropped the bomb and announced that The Elder Scrolls Online release date would be pushed back to spring 2014, to meet the launch date of Sony and Microsoft’s next-generation consoles. That’s one of the many things this “MMOs go console”-trend is gonna do for us in the future: delay stuff. Porting to different systems, creating individual interfaces and testing everything cross-platform takes time. Well, great. If it meant that the MMO community is growing, I could probably live with that but since servers will be split between different systems, there’s not really an upside there for PC players other than that Zenimax make more money (which will hopefully go back into designing great, future content updates).

So…Wildstar. A while ago I mentioned that no doubt this is a polished game with a good shot at the World of Warcraft demography. Since then, Carbine have been pretty open about it too – yes, we’re coming for ya, Blizzard! Only, we have the updated questing system and awesome player housing, along with all the PG-rated candyland. The latter is still one of my biggest qualms with the game: I am so over the Warcraft cartoon aesthetic. I do greatly appreciate the maturity in MMOs like Age of Conan or LOTRO, Rift and GW2 too are on my good side even if slightly more to the center of that Venn diagram. Wildstar shoots the hyper-fantasy rocket into deep space where it crashes somewhere between Outland and a Pixar movie. This is certainly no sword&sorcery MMO. But I digress.

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Feeling the Explorer path

Carbine’s spin on the Bartle profiles is interesting and if I was to choose a path for myself, no doubt that would be the explorer’s. Or such would’ve been my initial reaction because y’know – wandering around at random is awesome, listening to the world, discovering secrets and taking the long road whenever possible. Only, that’s not really what exploration means every time.

It struck me that while exploration has been widely praised in GW2 (and justly so), it’s also one of the most popularly gamified activities in the entire game. Players say exploration and mean “climbing all vistas”, hitting all pre-marked (!) points, “doing all jumping puzzles”, “getting the 100% achievement”. See that there? – Not me! I couldn’t care less if my world map is complete in GW2, I’ve a feeling it’s currently somewhere around 60% and that’s with me playing since launch. When I explore I don’t set out to find every last corner of a zone, let alone doing silly jumping puzzles. Oh, how I hate them. I want to smell the flowers and go wherever chance takes me. As for “mapping the world” –

“…there’s nothing worse to me than a world that’s fully discovered, fully mapped and fully understood. The moment we draw the last line in that picture is the moment we limit our world, the moment where it becomes small and finite – when hypothesis and speculation become hard fact and there is no more ‘may be’.

To a traveler and explorer “finishing a world” is the death of his playstyle. I want to stand at the shore of the southern sea and wonder forever what may lie beyond.” [source]

What am I gonna do once I’ve mapped the entire world? Let’s not map it!

Now, seems to me Wildstar’s explorer sounds an awful lot like exploration in GW2. The shiny somewhat wishy-washy job descriptions on the official page can’t conceal what gets very obvious in this explorer showcase or devspeak: climby vista-missions and timed (!) scavenger hunts, power maps (more jumping), achievements, completionism…on the clock.

To clarify: I realize that achievements can be a great motivator for some players to go and travel the world at all, although I can’t judge how much they are actually seeing and exploring it when they’re out hunting marks. In any case, that makes me wonder about two things: a) Is this path for people who are already explorers (and therefore need no achievements as ‘incentives’) or is it just another coat of paint for the achiever? And b) What’s in it for me who finds achievement spam, event markers and countdowns obtrusive to the exploratory experience rather than helpful?

Of course that begs one more question, namely what the hell I was expecting and I guess that’s fair. Exploration being such an intrinsically motivated activity for me of almost meditative quality, there’s just no active setting up or instrumentalizing this in an MMO, the way the devs would like to. Explorers like me need a living, breathing open world first and foremost, one that doesn’t flaunt its riches and doesn’t scream at you but offers reward in terms of discovering secrets and random events. Proper scale and size matter too, extensive travel and eye candy – plenty of that. It’s especially nice if you can “do” things – leave a mark, create or change something no matter how small (how would player-created geocaching do in MMOs I wonder?). What I’d like to see too is literally drawing your own maps instead of getting world map view all the time.

I’d be up for more erring in general; it’s bizarre beyond words that designers spend years creating virtual worlds and then hand you all the maps, event/location markers and even lists of “what you can do there” (aka achievements) from the get-go. And then they wonder why it all lasted a few weeks only.

Anyway, my preferred modus operandi isn’t nearly enough for a fully fledged, gamified playstyle with tangible progression and rewards, I get it. So for now the big question of which path to pick in Wildstar is back on the table. I’ll probably have to do the usual: “force” my inner explorer on any given path. It appears Settler is quite en vogue, so maybe I should just roll Kill…err Soldier out of spite and blow up all those jumping puzzles they no doubt created.

Off the Chest: E3 console wars, more GW2 events and Rift going F2P

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Summer has finally found its way to my place which is why this week was generally dedicated to sudden-heat-lethargy and watching E3 streams until late, late into the night. Morning really. And how much fun that was when my entire twitterverse was watching the big Sony reveal this last Tuesday “together” – booing (who cares about the PS Vita?), cheering and mostly snickering for good reason.

E3: Revival of the Console Wars

It wasn’t hard to leverage on Microsoft’s recent lapses in regard to their Xbox ONE policies and general marketing angle, but Sony literally crushed their direct competitor at this year’s E3 in the notable absence of a Nintendo conference, leaving out nothing and taking shameless stabs at what the vocal public conceived as MS’ greatest transgressions. Sharing and always-online DRM issues aside, MS seemed to try appeal to a surprisingly limited demography and didn’t blow anyone away hoping for at least some diversity in terms of game leads in upcoming launch titles – an oversight that led Spinks to coin the term “XBrone”. E3 female protagonist spotlights: MS: zero / Sony: two.

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Transistor, feat. Squalla Leonheart

Sony started their two-hour press conference stating how their target audience were video gamers first and foremost. From there, everything was a well-orchestrated and calculated effort of showing why the PS4 was the more appealing (and affordable) product for a wider gaming audience – men, women, casuals, hardcores, offliners, onliners, indie game lovers. And that last point makes a lot of sense; who in their right mind would leave the rising indie game market to platforms like Steam without a fight?

Sony delivered a political masterpiece at this E3, quick and not so subtle. Yet, as pointed out in this interesting article on buzzfeed, some of the fanboyism stirred by the console staredown feels gravely out of proportion. It bears reading the fine-print in Sony’s press conference. The PS4 isn’t marketed the way it is because they’re trying to win the BFF contest. In the end, we’re dealing with companies looking to maximize profits or as the article states “Sony versus Microsoft is not good versus evil. It’s money versus money”. To believe the XBox ONE is “done” at this point would be naive as we’re only standing at the beginning of a years-to-come battle for market shares. All the while, Nintendo is smiling because they’re likely going to “win” again anyway.

All that said, if I was to buy a next-generation console, it would most definitely be the PS4. As a commenter at buzzfeed observed, the PS4 is positioning itself as a diverse platform with a spirit for art and smaller projects (need I say Journey?) while being more inclusive to mature titles. Also: Square-Enix and Last Guardian hoping!

GW2 goes Dragon Bash

ArenaNet continue their ludicrous speed of releasing new mini-content and sadly also their penchant for inconsistent quality. Between wacky Halloween and a rather sobering Lost Shores event, the great Living Story and back-to-more-Karkas Darksun Cove update, I find myself presented with a lot more of the same at Dragon Bash and horribly mislead by what sounded like such an exciting new addition to the game. More mighty dragons to shoot down from the sky  – more massive outdoor content? YES please! No?

This leads me to formulate the following GW2 events formula: a ton of achievements which can be finished in one or two days, more slightly frustrating arena-based minigames, random drops of something in a box, oh and back items and weapon skins! I can barely restrain myself. Also, dragon piñatas – now where have I heard that before?

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Yeah, maybe not!

Rift entering the F2P scene

Trion have officially given their free-to-play debut this June 12th and much will yet be discussed about how well they’ve made the switch, implemented ingame shops and most importantly, just how much (or how) that changes the general direction of the game – because that was going so well before. Positive as I remain on this matter, I’d like to think that not all that much will change for Telara as we’ve also seen with other MMOs going F2P half-way through in the past (as opposed to MMOs actually designed around the concept).

Belghast is one of the first to comment on his “new” Rift experiences and a rather enthusiastic early adopter by the looks. No doubt there are right and wrong ways to realize F2P in MMOs and as someone who wants to see games like Rift survive rather than disappear from the face of the market, I hope more people will follow in his general footsteps.

Battle Bards – Episode #4: Lord of the Rings Online with Chance Thomas

It doesn’t happen every day that you get the opportunity to not only get together with other soundtrack geeks but such illustrious guests as Chance Thomas, composer for the official LOTRO OST and many beloved a LOTRO tune out there. It was particularly hard to come up with favorite picks for this show! Thankfully, Chance had insights and anecdotes to share in abundance (even for those tracks composed mainly by Steve DiGregorio), so it was with a sad heart that we called an end to such a wonderful session after one and a half hours. For those of you looking to read more about Chance Thomas’ work, be sure to check out his official homepage and also his fascinating Gamasutra feature I mention at the beginning of this episode.

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This Episode #4 will always have a special place in our three hosts’ hearts, I am sure – and we’ll be putting effort into presenting you with more such interesting interviews in the future! For those of you wondering what happened to our elusive fourth host Dodge (as mentioned in previous shows), the Battle Bards are happy to confirm that we’ll be remaining a “golden trio” after all! Many thanks to all of you who have been listening to and supporting this geeky project so far; we appreciate the re-tweets, iTunes ratings and reviews. Every episode is a learning process we enjoy a great deal and we’ve got plenty more goodness in store for you!

Fellow Podcasts Shout-out

Following in Syp’s footsteps, a quick shout-out to some of our fellow blogger and podcasting friends in the closer MMO blogosphere, bringing delightful geekiness to our iPods and other mobile devices week after week! Fun podcasts on our favorite topic aren’t easy to come by, so thanks and keep rolling guys!

 

Videogames, Repetition and the Subconscious Mind

Anita Sarkeesian published her second part of the Damsel in Distress trope on youtube last night and after initial hiccups (as in a bunch of her haters getting the video auto-banned thanks to spamming report buttons), I was able to watch what turns out to be the grimmest of her documentaries so far. I recommend watching it not just for the general insight however but to experience the intended repetition in this video, the repeated descriptions of tropes such as “…the X is brutally murdered and you then have to rescue your daughter” (starting at 07:40) which incidentally aren’t only a powerful tool in conveying the inherent absurdity, but touch on a greater subject so central to this discussion: repetition.

Repetition and the subconscious mind

Sarkeesian, by now used to the violent opposition and ruthless nitpicking her videos provoke on a regular basis, is including more and more clarifying (and in places toning down) final words in her recent documentaries, forestalling no doubt many of the incoming exclamations of “..but not all games/men/women are like that!” or “…just because lots of X doesn’t mean I am Y!” and erm, yeah.  I doubt it helps much but I appreciate her attempt at balancing where there is not much balance to find. Of course she grants that just because gamers keep seeing certain power constellations or violent problem solving in games over and over, that doesn’t mean we go out on a killing spree the next weekend.

What all those who think they remain unaffected by common videogame tropes and imagery should know however, is that it’s not up to them but their brain to make that call – and the brain happens to be an utterly impressionable organ when it comes to the power of repetition. There is a reason why when googling the search terms “mind control and repetition”, you will not only be presented with educational sites about effective studying methods, but surveys about psychological brain washing, scientifically researched mind conditioning and manipulation techniques employed in interrogation and warfare scenarios. For hundreds of years, repetition has been one of the simplest and yet most effective ways to influence and control human minds ever so slowly and subtly. Methods such as the well-known “drill” employed in the military but also intense sessions of repeated prayer in institutionalized religion, aka “litany”, are based on the same principles.

Our mind is highly susceptible and vulnerable to repetition on a subconscious level. This is most commonly seen in children/people who are bullied over longer periods of time, to a point where they adopt the negative image of themselves, communicated over and over by their peers. They are brainwashed. It is then the daily challenge of educators, social workers and psychologists to try and untie the harmful knots. More often than not, they do not succeed. We simply cannot unhear what we have heard a hundred times – just like we cannot unsee what has been seen too often. It leaves a powerful mental print and shapes our notion of what we are, how we look and what we should be and look like. Rationalization proves to be surprisingly ineffective here even for grownups, although one common therapy of the damaged self-image is also based on repeated, positive affirmation (“over-writing”).

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Accepting knowledge about how the human mind works has a sobering effect on the (videogame) tropes debate. No media that are consumed on a very regular basis and which require dedicated levels of attention, can distance themselves from shaping thoughts and behavior of their audiences. This in itself is still trivial unless we are talking about recurring and repeated scenarios, representations of reality and normality. Movies, commercials and print media have a lion’s share here but so do videogames increasingly.

Contextual chunks and you

Physical violence is an integral part of many video game genres, even more “peaceful” ones at first glance and probably always will be. While there are those who would ban shooters from the market yesterday, the overwhelming number of “peaceful gamers” out there (and observations towards the relaxing effect of shooters) speak a pretty clear language in that debate. I don’t think it should ever be silenced but I don’t believe that depictions of “just violence” in media cause the likeliest harm; violence in and out of itself isn’t a motivation and it doesn’t create content in videogames. Much rather, it is fully fleshed out, repeated stories, the finely woven and complex relationships, stereotypes and tropes that we are continuously presented with. That’s why “but we’re also not shooting everybody” doesn’t really apply as counter-argument to Sarkeesian’s points. It’s the repeated subtle messages and subtext in our daily lives that deserve the most attention and that are mirrored in the games we play.

One of the most interesting lessons I’ve taken away from a speed reading seminar few years back, is that there’s a common misconception among readers and also educators that slow reading improves contextual understanding. In truth the contrary is the case: there’s such a thing as reading too slowly (the way your teacher might have asked for back in school). The reason for this is that our brain processes and stores information best in chunks or groups of words and alternatively through images. Only in context do we understand and memorize the most, so it’s easy to see why reading text word by word rather than word chains isn’t exactly helpful. Speed reading isn’t primarily just about being faster but understanding the most in regards to time spent. It’s a skill that can be obtained.

Complex social, contextual relationships, role models, power mechanics and tropes repeatedly shown in media, especially those that combine messages with graphical elements, are the likeliest to get memorized and hence to influence us subconsciously. Personally, I believe that a big part of what our society regards as masculine and feminine traits and behavior for instance is based on the returning “stories shown and told all around us” from an early age. The same goes for our notion of beauty which has drastically changed over time. It isn’t just fashion posters but much rather fairy tales, picture books, movies and daily chatter that teach us what’s desirable or unattractive.

The tropes Sarkeesian is analyzing in her video are complex, crude as their examples might look like. The “girlfriend in the fridge” in all its portrayed variations is built on deep psychological and emotional triggers that are as socially meaningful as they appear to be accepted without question. Yet, it’s the things we are just so used to that require our critical attention. Why is there not more variety in videogame victims and heroes? And why does “flipping the script” (as mentioned towards the end of the video) seem so silly?

tropfI don’t think that videogames need to be highlighted more than any other, in the case of film or literature even more widespread media when it comes to violent, sexist tropes and questioning all their implications for a society. But videogames are a powerful tool for storytelling and therefore they too deserve scrutiny. Whether we like it or not, we are subject to harmful thematic repetitions in games (not just in regards to gender roles) that we are not naturally equipped to ignore. This isn’t some psycho-babble; valuing iteration is just what our brain is really good at. And it happens in spite of us.

That’s why this debate can’t be trivialized and it can’t be shrugged off. It isn’t just about what gamers think they can rationalize or distance themselves from because “umm fiction”; the critical analyzis of repeated violent tropes or gender roles in games and other media is one we need to take seriously because our mind cannot escape repetition. And that, to me, bears repeating.